Wednesday, September 30, 2009
while we're on the wordlist tip
More random responses to our lovely language.
I encourage roughshod abuse of this pleasing phrase.
to ride herd on: to keep a check on, supervise
Phonetically, this word represents everything I dislike. But that doesn't mean I'll turn a plate of it away.
gnudi: a cheese version of gnocchi
I encourage roughshod abuse of this pleasing phrase.
to ride herd on: to keep a check on, supervise
Phonetically, this word represents everything I dislike. But that doesn't mean I'll turn a plate of it away.
gnudi: a cheese version of gnocchi
Wednesday, September 23, 2009
the word on the street
I would appreciate it if everyone would stop using the unsavory verb "bobble." Its sudden, inexplicable prevalence is making me feel stalked by an ugly word. Make it end.
Friday, September 18, 2009
all i can say is
pardon the egg salad, friends. It's true.
Marginalia
by Billy Collins
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive—
"Nonsense." "Please!" "HA!!"—
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest,
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of "A Modest Proposal."
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page—
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil—
by a beautiful girl, I could tell,
whom I would never meet—
"Pardon the egg salad stains, but I'm in love."
Marginalia
by Billy Collins
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive—
"Nonsense." "Please!" "HA!!"—
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest,
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of "A Modest Proposal."
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page—
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil—
by a beautiful girl, I could tell,
whom I would never meet—
"Pardon the egg salad stains, but I'm in love."
Tuesday, September 08, 2009
file officially under obsession
When life is in disarray, what can you really count on? Your family, close friends, the dog? Yes, yes, sure, et cetera, et cetera. All that is well and good and ordinary and true. But when I kick back into the chaotic black night of my soul and contemplate my deepest consolations—you know, that real balm, the cool press of mercy against the fluid gathering pressure just below the blister skin of this life, hallelujah and God bless America, I think of this sacred reality out there somewhere:
The mighty Tilda Swinton and her leonine Royal Air Force there Defy You to mock the peachy taupe tuxedo jacket and nana-sandals. Exhibit A, ladies and gentlemen, reveals the splendor of it: the good kind of lunatic. We want less of the other kind and more, more, and gluttonous-movie-theater-size-servings-more of Tilda God-Damn-Look-What-Flaming-Weirdness-She-Gets-Away-With Swinton. Come to me, Tilda; let's dye our hair the color of our clothes, fly away from the bad crazies on our winged bronze merry-go-round animals of choice, and dress them like nutters too as we drift into rarefied wind.
The mighty Tilda Swinton and her leonine Royal Air Force there Defy You to mock the peachy taupe tuxedo jacket and nana-sandals. Exhibit A, ladies and gentlemen, reveals the splendor of it: the good kind of lunatic. We want less of the other kind and more, more, and gluttonous-movie-theater-size-servings-more of Tilda God-Damn-Look-What-Flaming-Weirdness-She-Gets-Away-With Swinton. Come to me, Tilda; let's dye our hair the color of our clothes, fly away from the bad crazies on our winged bronze merry-go-round animals of choice, and dress them like nutters too as we drift into rarefied wind.
Sunday, September 06, 2009
let's dance, for fear your grace should fall
Life and I are hotly engaged, deep in challenging conversation; blog's the neglected pal, bright but momentarily abandoned in the backseat. Screenplay under way. Here's some hold music.
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